Wishing them luck:
The International Society for the Study of Medievalism (ISSM) is now seeking papers for three sessions at the International Congress on Medieval Studies, May 10-13, 2018. Please see our calls for papers below for details. For more information about the conference itself, please visit the Congress website.
http://medievalism.net/conference/issm-at-kalamazoo
King Arthur 2017: A Round Table
Reviews have poured in for Guy Ritchie’s 2017 King Arthur, and some of them are pretty scathing. Chief among audience complaints is the film’s lack of authenticity: the story deviates so radically from medieval literature that Arthurian legend is barely recognizable. However, authenticity has always been a problematic way to evaluate Arthurian retellings. Sometimes called the “original fan-fiction,” medieval Arthurian legend is always revised and recreated to fit the political or cultural needs of a given period. And in fact, Ritchie’s film has been much better received among scholars of the Middle Ages. Participants in this round table will discuss the 2017 cinematic King Arthur and might answer some of the following questions: How do Ritchie’s changes fit into the canon of Arthurian revisions? How does the 2017 film inform meta-theoretical questions of authenticity surrounding Arthur himself? What do Ritchie’s changes tell us about our own cultural moment? Please send abstracts for papers of no more than ten minutes to Amy S. Kaufman (skaufmana at gmail) by September 1, 2017.
Sponsored by The Alliance for the Promotion of Research on the Matter of Britain, the "Matter of Britain on Screen" blog is designed as an aid to explorations of the transformations undergone by the Matter of Britain as it is translated to film, television, and related electronic media, such as games and internet video.
Excalibur is not a thing, something you can hold in your hand.
Excalibur is the good in you.
The power to do good, to stand up for what's right, to slay dragons, to capture bank robbers.
You always carry Excalibur in your heart.
Robert Tinnell, Kids of the Round Table (1995)
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