I finally got around to watching The Dragons of Camelot (2014).
Directed by Mark K. Lester, the production was filmed on location in Wales and serves as a continuation of the Arthurian story that pits Arthurian heroes against Morgan le Fay (and her dragon allies) for rule of the country after Arthur's death. Lancelot and Guinevere play pivotal roles as does their son, Galahad. He is aided in his quest by former Grail seekers Bors, Percival and his sister, Dindrane. Merlin is also featured and is instrumental to Morgan's defeat. There are some notable divergences from the tradition, but the film does make a useful contribution to the After-Arthur subgenre.
The dvd release includes a short documentary on the making of the film.
Sponsored by The Alliance for the Promotion of Research on the Matter of Britain, the "Matter of Britain on Screen" blog is designed as an aid to explorations of the transformations undergone by the Matter of Britain as it is translated to film, television, and related electronic media, such as games and internet video.
Excalibur is not a thing, something you can hold in your hand.
Excalibur is the good in you.
The power to do good, to stand up for what's right, to slay dragons, to capture bank robbers.
You always carry Excalibur in your heart.
Robert Tinnell, Kids of the Round Table (1995)
Showing posts with label Galahad. Show all posts
Showing posts with label Galahad. Show all posts
Tuesday, July 16, 2019
Friday, June 14, 2019
Harty Celebration in Arthuriana
The latest number of Arthuriana (29.2 for Summer 2019) is a special issue celebrating the work of Kevin J. Harty. It also features a number of reviews of recent films.
Relevant content is as follows. Subscribers may access the issue at the journal's website and Project MUSE.
Preface
Alan Lupack and Barbara Tepa Lupack 3
‘Who are the Britons?’ Questions of Ethnic and National Identity in Arthurian Films
Christopher A. Snyder 6
Queer as Folk
Donald L. Hoffman 24
Tristan in Film
Joan Tasker Grimbert 47
A Connecticut Yankee at the Movies
Barbara Tepa Lupack 64
Romancing the Cold War: America’s Atomic Narrative Gets Medieval [on Adventures of Sir Galahad]
Susan Aronstein 86
From Kids as Galahad to Kid Galahad
Alan Lupack 102
REVIEWS
Joe Cornish, dir., The Kid Who Would Be King
Alan Lupack 119
David Mackenzie, dir., Outlaw King
Andrew B.R. Elliott 121
James Wan, dir., Aquaman
Susan Aronstein and Taran Drummond 124
Relevant content is as follows. Subscribers may access the issue at the journal's website and Project MUSE.
Preface
Alan Lupack and Barbara Tepa Lupack 3
‘Who are the Britons?’ Questions of Ethnic and National Identity in Arthurian Films
Christopher A. Snyder 6
Queer as Folk
Donald L. Hoffman 24
Tristan in Film
Joan Tasker Grimbert 47
A Connecticut Yankee at the Movies
Barbara Tepa Lupack 64
Romancing the Cold War: America’s Atomic Narrative Gets Medieval [on Adventures of Sir Galahad]
Susan Aronstein 86
From Kids as Galahad to Kid Galahad
Alan Lupack 102
REVIEWS
Joe Cornish, dir., The Kid Who Would Be King
Alan Lupack 119
David Mackenzie, dir., Outlaw King
Andrew B.R. Elliott 121
James Wan, dir., Aquaman
Susan Aronstein and Taran Drummond 124
Monday, August 7, 2017
MAPACA Roundtable Update
I am pleased to announce the panelists for our roundtable on recent Arthuriana on screen. Registration information for the conference can be found at https://mapaca.net/conference. Hope to see you there.
New Visits to Camelot: Reflecting on the Contemporary Matter
of Britain on Screen (Roundtable)
Session sponsored by the Association for the Advancement of
Scholarship and Teaching of the Medieval in Popular Culture for the Medieval
& Renaissance Area of the Mid-Atlantic Popular/American Culture Association
Organizer/Presider: Michael A. Torregrossa (Independent
Scholar)
Guy Ritchie and Michael Bay (Oh My): The Challenges of
Contemporary Visions of Camelot on Screen
Michael A. Torregrossa (Independent Scholar)
Michael A. Torregrossa is a
medievalist whose research interests include adaptation, Arthuriana, comics and
comic art, medievalism, monsters, and wizards. His founder of both The Alliance
for the Promotion of Research on the Matter of Britain and The Association for
the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
and serves as Fantastic Area Chair for the Northeast Popular Culture/American
Culture Association.
Othering Pagan Archetypes: Reimaginings of Merlin and Morgan
le Fay
Rachael Warmington (Indiana University of Pennsylvania)
Rachael Warmington is a doctoral
candidate at Indiana University of Pennsylvania. She earned her B.A. in English
from Montclair State University, M.A. in English from Seton Hall University,
and her MFA at City College of New York, City University of New York. Rachael
is also the editor-in-chief of the open source academic journal, Wachung Review. She is currently
focusing on the ways in which early regional and generational variations of
Arthurian legend influence contemporary literary, film and television
adaptations and appropriations of Arthurian works.
Round Table Revival: The
Order: 1886
Carl Sell (Indiana University of Pennsylvania)
Carl Sell is PhD student at Indiana
University of Pennsylvania. He is interested in all things medieval and Early
Modern, and his studies focus on the Arthurian Legend and modern adaptations of
the legend as well as adaptations of Robin Hood.
Posted by
The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
at
10:18 PM
No comments:
Labels:
Conference Sessions of Interest,
Electronic Games,
Film,
Galahad,
King Arthur: Legend of the Sword,
Merlin,
Merlin (BBC),
Morgan le Fay,
Television,
The Order: 1886,
Transformers: The Last Knight
Subscribe to:
Posts (Atom)