Sponsored by The Alliance for the Promotion of Research on the Matter of Britain, the "Matter of Britain on Screen" blog is designed as an aid to explorations of the transformations undergone by the Matter of Britain as it is translated to film, television, and related electronic media, such as games and internet video.
Excalibur is not a thing, something you can hold in your hand.
Excalibur is the good in you.
The power to do good, to stand up for what's right, to slay dragons, to capture bank robbers.
You always carry Excalibur in your heart.
Robert Tinnell, Kids of the Round Table (1995)
Monday, August 14, 2017
Ritchie's King Arthur Now on Video
Guy Ritchie's King Arthur: Legend of the Sword was released to home video this past week. Here are the images from the Blu-ray sleeve showing the cover and extras.
Monday, August 7, 2017
MAPACA Roundtable Update
I am pleased to announce the panelists for our roundtable on recent Arthuriana on screen. Registration information for the conference can be found at https://mapaca.net/conference. Hope to see you there.
New Visits to Camelot: Reflecting on the Contemporary Matter
of Britain on Screen (Roundtable)
Session sponsored by the Association for the Advancement of
Scholarship and Teaching of the Medieval in Popular Culture for the Medieval
& Renaissance Area of the Mid-Atlantic Popular/American Culture Association
Organizer/Presider: Michael A. Torregrossa (Independent
Scholar)
Guy Ritchie and Michael Bay (Oh My): The Challenges of
Contemporary Visions of Camelot on Screen
Michael A. Torregrossa (Independent Scholar)
Michael A. Torregrossa is a
medievalist whose research interests include adaptation, Arthuriana, comics and
comic art, medievalism, monsters, and wizards. His founder of both The Alliance
for the Promotion of Research on the Matter of Britain and The Association for
the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
and serves as Fantastic Area Chair for the Northeast Popular Culture/American
Culture Association.
Othering Pagan Archetypes: Reimaginings of Merlin and Morgan
le Fay
Rachael Warmington (Indiana University of Pennsylvania)
Rachael Warmington is a doctoral
candidate at Indiana University of Pennsylvania. She earned her B.A. in English
from Montclair State University, M.A. in English from Seton Hall University,
and her MFA at City College of New York, City University of New York. Rachael
is also the editor-in-chief of the open source academic journal, Wachung Review. She is currently
focusing on the ways in which early regional and generational variations of
Arthurian legend influence contemporary literary, film and television
adaptations and appropriations of Arthurian works.
Round Table Revival: The
Order: 1886
Carl Sell (Indiana University of Pennsylvania)
Carl Sell is PhD student at Indiana
University of Pennsylvania. He is interested in all things medieval and Early
Modern, and his studies focus on the Arthurian Legend and modern adaptations of
the legend as well as adaptations of Robin Hood.
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Conference Sessions of Interest,
Electronic Games,
Film,
Galahad,
King Arthur: Legend of the Sword,
Merlin,
Merlin (BBC),
Morgan le Fay,
Television,
The Order: 1886,
Transformers: The Last Knight
CFP ISSM Roundtable on Ritchie's King Arthur (9/1/2017; Kalamazoo 2018)
Wishing them luck:
The International Society for the Study of Medievalism (ISSM) is now seeking papers for three sessions at the International Congress on Medieval Studies, May 10-13, 2018. Please see our calls for papers below for details. For more information about the conference itself, please visit the Congress website.
http://medievalism.net/conference/issm-at-kalamazoo
King Arthur 2017: A Round Table
Reviews have poured in for Guy Ritchie’s 2017 King Arthur, and some of them are pretty scathing. Chief among audience complaints is the film’s lack of authenticity: the story deviates so radically from medieval literature that Arthurian legend is barely recognizable. However, authenticity has always been a problematic way to evaluate Arthurian retellings. Sometimes called the “original fan-fiction,” medieval Arthurian legend is always revised and recreated to fit the political or cultural needs of a given period. And in fact, Ritchie’s film has been much better received among scholars of the Middle Ages. Participants in this round table will discuss the 2017 cinematic King Arthur and might answer some of the following questions: How do Ritchie’s changes fit into the canon of Arthurian revisions? How does the 2017 film inform meta-theoretical questions of authenticity surrounding Arthur himself? What do Ritchie’s changes tell us about our own cultural moment? Please send abstracts for papers of no more than ten minutes to Amy S. Kaufman (skaufmana at gmail) by September 1, 2017.
The International Society for the Study of Medievalism (ISSM) is now seeking papers for three sessions at the International Congress on Medieval Studies, May 10-13, 2018. Please see our calls for papers below for details. For more information about the conference itself, please visit the Congress website.
http://medievalism.net/conference/issm-at-kalamazoo
King Arthur 2017: A Round Table
Reviews have poured in for Guy Ritchie’s 2017 King Arthur, and some of them are pretty scathing. Chief among audience complaints is the film’s lack of authenticity: the story deviates so radically from medieval literature that Arthurian legend is barely recognizable. However, authenticity has always been a problematic way to evaluate Arthurian retellings. Sometimes called the “original fan-fiction,” medieval Arthurian legend is always revised and recreated to fit the political or cultural needs of a given period. And in fact, Ritchie’s film has been much better received among scholars of the Middle Ages. Participants in this round table will discuss the 2017 cinematic King Arthur and might answer some of the following questions: How do Ritchie’s changes fit into the canon of Arthurian revisions? How does the 2017 film inform meta-theoretical questions of authenticity surrounding Arthur himself? What do Ritchie’s changes tell us about our own cultural moment? Please send abstracts for papers of no more than ten minutes to Amy S. Kaufman (skaufmana at gmail) by September 1, 2017.
Sunday, August 6, 2017
Hellboy Film Update 8/6/17
A recent report on IGN notes that the upcoming Hellboy film has dropped its subtitle "Rise of the Blood Queen" and will be titled just Hellboy. Details at http://www.ign.com/articles/2017/08/02/hellboy-reboot-casts-ian-mcshane-as-adoptive-father-professor-broom. No word on how this affects the plot.
In related news, creator Mike Mignola comments allusively on his role in transitioning the comic to film in an interview on The Verge. The full text can be accessed at https://www.theverge.com/2017/8/3/16089200/mike-mignola-hellboy-universe-film-reboot-you-know-comics-interview. He refers a few times to the story chosen by the filmmakers but offers no specific details.
In related news, creator Mike Mignola comments allusively on his role in transitioning the comic to film in an interview on The Verge. The full text can be accessed at https://www.theverge.com/2017/8/3/16089200/mike-mignola-hellboy-universe-film-reboot-you-know-comics-interview. He refers a few times to the story chosen by the filmmakers but offers no specific details.
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