More from Kevin J. Harty on The Green Knight:
Harty, Kevin J.. "Notes Towards a Close Reading of David Lowery’s 2021 Film The Green Knight." Journal of the International Arthurian Society, vol. 10, no. 1, 2022, pp. 29-51. https://doi.org/10.1515/jias-2022-0004
Wednesday, September 14, 2022
Thursday, August 25, 2022
New and Recent from Arthuriana
From recent issues of Arthuriana:
Aronstein, Susan and Taran Drummond. Review of The Green Knight, by David Lowery. Arthuriana, vol. 31 no. 3, 2021, p. 90-92. Project MUSE, doi:10.1353/art.2021.0030.
Francis, Christina. "Babylon 5, An Arthurian World in Space." Arthuriana, vol. 31 no. 3, 2021, p. 3-20. Project MUSE, doi:10.1353/art.2021.0023.
Hughes, Shaun F.D. "Some Thoughts on The Northman (2022)." Arthuriana, vol. 32 no. 2, 2022, p. 89-101. Project MUSE, doi:10.1353/art.2022.0014.
Yri, Kirsten. Review of From Camelot to Spamalot, Musical Retellings of Arthurian Legend on Stage and Screen, by Megan Woller. Arthuriana, vol. 32 no. 2, 2022, p. 117-119. Project MUSE, doi:10.1353/art.2022.0023.
Friday, June 17, 2022
CFP Out With the Old, In With the New: Changing Trajectories in David Lowery’s The Green Knight (7/30/2022; SAMLA Jacksonville, FL 11/11-13/2022)
This seemed worth cross-posting.
Out With the Old, In With the New: Changing Trajectories in David Lowery’s The Green Knight
source: https://call-for-papers.sas.upenn.edu/cfp/2022/06/06/out-with-the-old-in-with-the-new-changing-trajectories-in-david-lowery%E2%80%99s-the-green
deadline for submissions: July 30, 2022
full name / name of organization:
SAMLA: South Atlantic Modern Language Association
contact email:
mcrofton@fit.edu
For close to seven hundred years, Gawain has been a favorite hero in Arthurian myth, especially when it comes to his legendary accomplishments—and faults—in Gawain and the Green Knight. No matter how much readers may root for him in his quest with the Green Knight, many of us can’t help but wonder…what if? All of that changed with David Lowery’s 2021 film, The Green Knight, which presents viewers with an abundance of scenarios that many of us haven’t even anticipated. In doing so, Lowery has forever altered the way scholars approach the medieval poem. This panel seeks to explore some of the most powerful changes Lowery makes to the base text of Gawain and the Green Knight, and what we can learn about the importance—or dangers—of retelling popular stories in new and inventive ways. Please submit a 250 word abstract, a brief bio, and A/V requirements by July 30th to Melissa Crofton at mcrofton@fit.edu.
Last updated June 7, 2022
deadline for submissions: July 30, 2022
full name / name of organization:
SAMLA: South Atlantic Modern Language Association
contact email:
mcrofton@fit.edu
For close to seven hundred years, Gawain has been a favorite hero in Arthurian myth, especially when it comes to his legendary accomplishments—and faults—in Gawain and the Green Knight. No matter how much readers may root for him in his quest with the Green Knight, many of us can’t help but wonder…what if? All of that changed with David Lowery’s 2021 film, The Green Knight, which presents viewers with an abundance of scenarios that many of us haven’t even anticipated. In doing so, Lowery has forever altered the way scholars approach the medieval poem. This panel seeks to explore some of the most powerful changes Lowery makes to the base text of Gawain and the Green Knight, and what we can learn about the importance—or dangers—of retelling popular stories in new and inventive ways. Please submit a 250 word abstract, a brief bio, and A/V requirements by July 30th to Melissa Crofton at mcrofton@fit.edu.
Last updated June 7, 2022
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